CEASEFIRE boasts of moments that will be loved by the masses.

Salaar Review 3.0/5 & Review Rating

Prashanth Neel’s story is detailed and quite imaginative. At the same time, the mass moments are well taken care of. Prashanth Neel’s screenplay is massy and entertaining. He uses the KGF template to heighten the tension and commercial moments to give the audience their money’s worth. However, there are far too many characters in Khansaar and it’s sure to confuse viewers. Dr Suri, Riya Mukherjee and Maneesh’s Hindi dialogues are sharp.

Prashanth Neel’s direction is exemplary. To give credit where it’s due, he has riddled the film with interesting characters and a fascinating lawless world. The depiction is superb and fit for a big-screen experience. His USP is that he adds to the scene by having parallel sequences which are as tension-filled as the principal sequence. The way he switches between the two sequences while establishing a common factor between them is seen to be believed. He also smartly doesn’t let Deva attack initially so that when he does, the impact is manifold. This happens in the second half as well, where the audience will go in a frenzy.

On the flipside, the biggest issue is that it’s extremely complicated. Apart from too many players in Khansaar, they have their politics and many of them are related to each other. The audience will find it difficult to get the hang of the complete picture and also the conflict. In fact, the whole ‘Ceasefire’ track is not easy to decipher. The twist in the climax is intended to amaze the audience and that doesn’t happen. Also, the pace is slow and the scenes of suffering go on and on. This formula worked well in KGF – CHAPTER 1 [2018] but here, the impact is limited.

Speaking of performances, Prabhas could have done better but his performance is much better than his works in ADIPURUSH [2023], RADHE SHYAM [2022], SAAHO [2018] etc. He looks at ease in doing action and his starry screen presence is enough for the mass audience to root for him. Prithviraj Sukumaran has a late entry but rocks the show. Shruti Haasan is hardly there and is just fine. Easwari Rao leaves a mark. Mime Gopi and the actor playing Krishnkant are quite good. Jagapathi Babu (Raja Mannar), Sriya Reddy (Radha Rama Mannar), Ramachandra Raju (Rudra) and Tinnu Anand (Gaikwad) deliver fine performances. John Vijay (Ranga) hams. The actors playing Selfie, Vishnu and Bharwa are okay.

Ravi Basrur’s music is soulful but both the songs ‘Sooraj Hi Chhaon Banke’ and ‘Qisson Mein’ won’t have a shelf life. Ravi Basrur’s background score is not too loud and works.

Bhuvan Gowda’s cinematography is first-rate. Anbariv’s action is very violent and disturbing. T L Venkatachalapathi’s production design is well researched. Thota Vijay Bhaskar’s costumes are stylish. Prime Focus’s VFX is top-class. Ujwal Kulkarni’s editing is stylish and could have been sharper as the film drags in certain places.

On the whole, SALAAR: PART 1 – CEASEFIRE boasts of whistle-worthy moments that will be loved by the masses. However, the excessive violence, a needlessly complicated second half and a limited showcasing due to DUNKI will affect its box office prospects to an extent.